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Legros, Alphonse (1837-1911),,

Legros, Alphonse (1837-1911)

 

Alphonse Legros was a painter, printmaker, and sculptor. Born in Dijon, Legros was apprenticed at the age of 11 to a house painter, who was also a "colourer of images". Legros studied at the Dijon Beaux-Arts, whose director was Célistine Nanteuil, and then at the atelier of Lecoq de Boisbaudran in Paris, where he became close friends with Fantin-Latour. Alphonse Legros moved to England in 1863 and was naturalized in 1880. Legros was encouraged in this move by Whistler, whom he first met in 1858. Although Legros had been one of the most active members of the French Société des Aquafortistes, a close ally of Fantin-Latour and a friend of Charles Baudelaire (for whose translation of Poe had made a series of remarkable etchings), he found it hard to make ends meet in France, and in emigrating to England he was also fleeing his creditors and escaping the threat of debtor's prison. One in London, Legros found himself the neighbour of Dante Gabriel Rossetti, the friend of Swinburne, and the centre of admiration among English etchers. His "notoriété Britannique" caused a revision of opinion back in France, and Alphonse Legros had two paintings in the Salon of 1863 and a third - a portrait of his friend Manet - in the Salon des Refusés. Exhibitions at the galleries of Durand-Ruel and Samuel Bing were to follow, and after his hand-to-mouth early years Legros became a popular and successful artist. In London, he was appointed Slade Professor of Art at University College, and professor of etching and engraving at South Kensington. See Thibaudeau, Catalogue raisonné de l'oeuvre gravé et lithographié de Alphonse Legros; Dodgson, Catalogue of the Etchings, Drypoints and Lithographs by Professor Alphonse Legros in the Collection of Frank E. Bliss; Bailly-Herzberg, La Société des Acquafortistes.


Extase Poetique

Originalradierung, Kaltnadel, Malassis & Thibaudeau 36 (III/III)


Extase Poetique
Original etching with drypoint by Alphonse Legros, printed by Cadart on laid paper. Published by the Gazette des Beaux-Arts. Printed credits below to the artist, title, printer and publisher. Refs: Malassis & Thibaudeau 36 (III/III), Soulier 36, I.F.F. 22, Sanchez & Seydoux 1876-18. Condition: Excellent. (Nähere Erklärungen zu graphischen Techniken s. Leiste links)
(More about graphic-techniques see left column))


Enstehungszeit / time of origin: 1876
Größe/size (in cm.) ca.:21x14

 

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